Especially important for musicians is an A/B loop switch that allows you to play back continuously any user-defined passage. Mercifully, though, input levels and output volume are separate, external switches bookending the basic transport controls. Whereas Menu takes care of the recorder, Finder is dedicated to file organization, and it’s a great interface design touch. The division is welcome, and the Finder function is critical for renaming, moving, copying, trimming, deleting, combining, and dividing files, as well as seeing the files’ information. Rather than cram every function under one menu switch, Roland wisely includes an additional front-panel Finder button, where you perform most of your file-management tasks. Selecting the file format for recording is done with the Menu key, under which are other related parameters such as Recorder Setup (file name, auto record start), Player Setup (continuous play, loop, reverb, speed setting), Display, Power Management, Input Setup (limiter, external mic type, binaural mic power), and more. You can still wrangle all the switches and buttons with one hand, though, which is important if, say, you’re say, holding an external mic with your other hand. I like the arrangement of having the transport and level controls on the bottom-where your thumb can easily reach them in the heat of the moment-with the nav keys (the ones you access less) at the top. On the front panel is where you find switches that are not the global set-and-forget kind, including the transport and navigations buttons. Why would you need that on the outside of the unit? For example, I’ve seen some units that put the Delete File command on the outside. The physical switches on the housing are thankfully limited to mic gain, limiter on/off, low-cut, and power-all the things you might change on the fly and none of the things you wouldn’t. It also has an AC adapter for people who use the unit in a permanent (or quasi-permanent) setting most of the time and want to save batteries for when they’re on the road. You can use disposable alkalines or rechargeable lithium ones, but you can be assured you’ll never be stuck without power as long as there’s a 24-hour gas station around. So here are just some of the things Roland got right. Several views of the R05, showing the intelligence of the control layout.Īs with most Roland recording gear, there are tons of thoughtful, well-implemented features, too many to list (so check out for a complete list). Its side-to-side width is still narrow enough to hold comfortably in one hand, yet the display is highly readable even though it sports a lot of info (see Fig. The R-05 is about the size of a pack of cigarettes or a standard cellphone, except a little thicker. Let’s see what uses binaural recording has, and what Roland got right in their R-05 that make it such a winner for recordists on the go. Even when I had to drill down in a menu, I always reached for the right menu to do it.
#Binaural recording microphones crack#
I never had to crack the manual, despite the depth of the features.
I found more uses than I thought I would for these in-ear mics, while the unit itself seemed almost clairvoyant in anticipating my needs.
And that unique feature? Try binaural recording, which is a fancy way of saying that its optional set of earbuds doubles as stereo microphones (the CS-10EMs, sold separately). While it is similar in quality to its price-comparable brethren, the R-05 is the easiest recorder to operate of all the ones I’ve tested, tried, or purchased for my own personal use. That’s exactly the case with the Roland R-05 WAV/MP3 Recorder. For a unit to really shine, it would have to not only have the requisite high-quality mics and multiple file formats, but a really good interface and, possibly, one bonus feature no one else included. So the trick became trying to sort them out. If you opted for a smaller recorder the size of a cigarette lighter, you might forgo some high-end features for the sake of portability, but all these units provided unprecedented quality and storage capabilities. All of them had certain common features, such as decent-quality onboard stereo mics (some were even adjustable) and a range of recording formats from MP3 to CD to 24-bit/96kHz. Jon Chappell_1 | FebruA professional-level mobile recorder featuring optional binaural recordingĪ few years ago, all the major manufacturers jumped on the two-track mobile recording format, releasing units-multiple units, in some cases-about the size of a cellphone or smaller that could capture high-resolution audio onto an SD card.
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